{"id":4780,"date":"2025-06-20T09:15:56","date_gmt":"2025-06-20T07:15:56","guid":{"rendered":"https:\/\/carmeportaceli.com\/espectacles\/las-dos-bandoleras\/"},"modified":"2025-06-30T13:59:54","modified_gmt":"2025-06-30T11:59:54","slug":"las-dos-bandoleras","status":"publish","type":"espectacles","link":"https:\/\/carmeportaceli.com\/en\/espectacles\/las-dos-bandoleras\/","title":{"rendered":"Las dos bandoleras"},"content":{"rendered":"\t\t
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Las dos bandoleras\n<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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While the men are only concerned with waging war and fighting for their homeland against the Moors, the women expect their parents to decide for them what their lives will be like, who they marry, and when. But Teresa and In\u00e9s are much more active than all that and have already decided who they want to marry and how, having already given their love to two men they have fallen in love with. While they are free from the war, the men take advantage of this circumstance to be with them, but when they find that they demand certain behavior from them, they run away. The two women, deceived by rage and reason, decide to become bandits and kill every man who wanders into the mountains they have chosen to carry out their revenge. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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But in society, it is they who must be judged even if they are the ones who have been dishonored.<\/p>

The mountain women have often been portrayed as men-killing, bandit-wielding women to disfigure them, but in reality, banditry has always been a universal sociological phenomenon, the product of factors related to poverty and injustice. Banditry was the result of certain moments that fostered rebellion as the only response to a society that only defended the interests of a select few, and in this case, men. <\/p>

Our two bandits, though there are many more, are neither terrible, nor deformed, nor aggressive. They are simply angry at having been insulted and deceived, and have no chance of restoring their “honor.” So the revenge that is the only avenue their environment offers allows them to be clever, funny, and fills them with life as much as it lifts them from their dashed dreams. <\/p>

And, in addition, there is a beautiful thing: their father, who must punish them because the law so orders, breaks down inside when he does so and has enormous contradictions in one of the best scenes of the play.<\/p>

Lope’s verse is wonderful, lively, organic, and rhythmic. It makes the text flow into the hearts of the characters and creates the necessary architecture for it to emerge in all its grandeur. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Carme Portaceli \u2013 Marc Rosich<\/p>

Author Lope de Vega<\/p>

Written by Marc Rosich \u2013 Carme Portaceli<\/p>

Direction Carme Portaceli<\/p>

Performers Helio Pedregal \u2013 Carmen Ruiz \u2013 Macarena G\u00f3mez \u2013 Gabriela Flores \/ Luc\u00eda Barrado \u2013 Lloren\u00e7 Gonz\u00e1lez \u2013 David Fern\u00e1ndez \u201cFabu\u201d \u2013 David Luque \u2013 \u00c1lex Larumbe \u2013 Albert P\u00e9rez \/ Carlos Martos<\/p>

Scenography: Paco Az\u00f3n<\/p>

Costumes: Antonio Belart<\/p>

Lighting Maria Dom\u00e8nech<\/p>

Sound design: Jordi Collet \u201cSila\u201d<\/p>

Verse coach: Gabriel Garbisu<\/p>

Fencing master: Jes\u00fas Esperanza<\/p>

Stage combat: Kike Inchausti<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Graphic design: FEI \u2013 Pedro Chamizo<\/p>

Assistant director: Paula Mariscal<\/p>

Costume assistants: Eduardo de la Fuente \u2013 Carlota Ricard<\/p>

Executive production: B. Torres for FEI \u2013 INTERNATIONAL SCENIC FACTORY<\/p>

Press: Mar\u00eda D\u00edaz<\/p>

Thanks to: Ferran Carvajal \u2013 Luis Crespo<\/p>

A co-production of<\/p>

National Classical Theatre Company<\/p>

FEI \u2013 International Scenic Factory<\/p>

With the support of<\/p>

Department – Catalan Institute of Cultural Enterprises ICEC<\/p>

Barcelona City Council \u2013 Barcelona Institute of Culture ICUB<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Las dos bandoleras While the men are only concerned with waging war and fighting for their homeland against the Moors, the women expect their parents to decide for them what their lives will be like, who they marry, and when. But Teresa and In\u00e9s are much more active than all that and have already decided […]<\/p>\n","protected":false},"featured_media":3890,"template":"","class_list":["post-4780","espectacles","type-espectacles","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/espectacles\/4780","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/espectacles"}],"about":[{"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/types\/espectacles"}],"version-history":[{"count":1,"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/espectacles\/4780\/revisions"}],"predecessor-version":[{"id":4781,"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/espectacles\/4780\/revisions\/4781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/media\/3890"}],"wp:attachment":[{"href":"https:\/\/carmeportaceli.com\/en\/wp-json\/wp\/v2\/media?parent=4780"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}